
| The King's Persons | 1963 |
| I Never Promised You A Rose Garden | 1964 |
| The Monday Voices | 1965 |
| Summering: A Book of Short Stories | 1966 |
| In This Sign | 1970 |
| Rites of Passage (Short Stories) | 1972 |
| Founder's Praise | 1976 |
| High Crimes and Misdemeanors (Short Stories) | 1979 |
| A Season of Delight | 1981 |
| The Far Side of Victory | 1983 |
| Simple Gifts | 1986 |
| Age of Consent | 1987 |
| Of Such Small Differences | 1988 |
| With The Snow Queen (Short Stories) | 1991 |
| No Reck'ning Made | 1993 |
| Where The Road Goes | 1998 |
| Appearances | 2006 |
You have to like it - to want to do it.
It's work. There's a plot process, a psychological part - figuring out the characters' motives and personalities.
There's a situational part laid on structure and character.
There are the words you use both in the characters and in the surround.
There are endless revisions, great and small (see #1). Writing is as earthbound as that.

| The King’s Persons | 1963 |
| I Never Promised You A Rose Garden | 1964 |
| The Monday Voices | 1965 |
| Summering: A Book of Short Stories | 1966 |
| In This Sign | 1970 |
| View All... |
